Skip to main content

Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

#12: Cultural Repatriation: The Concept of Ownership

Name: Brennan Ott
Major: History
Hometown: Roscoe, IL
Faculty Sponsor:
Other Sponsors:  
Type of research: Senior thesis

Abstract

Ownership is the fundamental tension surrounding the repatriation of cultural heritage, though the context of ownership has shifted throughout the history of cultural heritage. Cultural heritage is innately complex, with various international and national laws regarding cultural heritage. To add a further layer of complexity and confusion, each case of repatriation of cultural heritage has its issues and surrounding circumstances that make it challenging to create enforceable and universally applicable guidelines on how to repatriate cultural heritage. The first section is an overview of cultural heritage and repatriation efforts. Besides a basic overview, this section will also review the historical context of the shift away from the retentionist attitudes of institutions like the British museum and towards the idea of repatriating cultural heritage. Furthermore, the second section of the paper will discuss the legal framework of the repatriation of cultural heritage by looking at the international agreements and laws meant to protect and regulate the movement and the acquisition of cultural heritage. The third section of this paper will provide case studies or examples of the repatriation of cultural heritage. In the same vein as the analysis of the case studies, the paper's final section will detail a few possible solutions to make repatriation a less divisive issue internationally and answers to make repatriation overall easier.

Poster file

$(function() { $('#print h2').prepend('Print'); $('#print h2 a').click(function() { window.print(); return false; }); });