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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

#05: The protection of endangered regional opera in China: taking Lihuang Opera as an example

Name: Miao Zhang
Major: Music Theater Vocal Pedagogy
Hometown: Wuhu, China
Faculty Sponsor:
Other Sponsors:  
Type of research: Independent research

Abstract

Lihuang Opera is a traditional local drama in Wuhu City, Anhui Province, China. Although it has been listed as an intangible cultural heritage, the present state of Lihuang Opera is not optimistic. With the disappearance of the traditional regional cultural atmosphere, the competition of multiple cultural forms, and the loss of the inheritors, Lihuang Opera is declining and cannot survive by commercial performances, which is also a common problem faced by regional operas in many places in China. This paper explores the history, the artistic characteristics, and the predicament of inheriting of Lihuang Opera. The paper argues that the endangered regional operas, which have cultural inheritance value but are not realistic enough to maintain the performance, can be passed on by preserving their unique cultural features. The purpose of inheritance is not only to protect one kind of art form but, more importantly, to protect the diversity of national culture so that it will produce new vitality in the future.

Poster file

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