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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Emilia Pardo Bazán, a Feminist Writer in Nineteeth-Century Spain

Name: Maria (Maribel) Morales
Department: Humanities
Type of research: Senior thesis

Name: Hannah Ratkowski
Major: Spanish
Hometown: Milwaukee
Faculty Sponsor: Maribel Morales Martinez
Other Sponsors:  
Type of research: Senior thesis

Abstract

Emilia Pardo Bazán, a Feminist Writer in Nineteen-Century Spain

 

Emilia Pardo Bazán, one of the most remarkable Spanish intellectuals of the nineteenth century, was born in 1851 in the Atlantic seaport of La Coruña, Spain. She was the only child of wealthy aristocratic parents, who provided their precocious offspring with a splendid education. In her almost 600 short stories and 18 novels she experimented with different narrative strategies and approaches to literature. The purpose of this research project is to analyze a selection of Pardo Bazán’s short stories with a feminist lens. Pardo Bazán considered herself a “radical feminist” at a time in Spain when women were limited to their roles as mothers and wives. The lack of education for women deepened this limitation. Pardo Bazán used her novels and short stories to incite a feminist conscience in the Spanish public. She believed that “all the rights that men possess, women should possess them as well”. Her representations of the situation of Spanish women in the nineteenth century in stories such as “El encaje roto,” “Champagne,” “Feminista,” and “La boda” provoked scandal and criticism among the literary circles, and it also affected her personal life. Her husband separated from her because her literary reputation scandalized him. Emilia Pardo Bazán was a woman ahead of her time, and her feminist ideas highlight the struggles and gender limitations of Spanish women in the nineteenth century.   

Poster file

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