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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Draping The Historical and The Modern

Name: Bethany Sassen
Major: Costume Design
Hometown: Lombard, IL
Faculty Sponsor: Kim Instenes
Other Sponsors:  
Type of research: Independent research
Funding: n/a

Abstract


This past fall, Carthage Theatre put on a production of Rosencrantz and Guildenstern are Dead.  For that production I worked with the Student Costume Designer Molly Mason to create the final outfit for one of the pivotal characters, Queen Gertrude. Molly’s design concept blended the Elizabethan and the Modern periods of fashion to create a very stylized and ultimately new period to set the play in. My role was to bring to life this extravagant costume. The skirt was completely draped and the bodice created from an altered flat pattern. The fabric chosen was very modern in color and texture, to highlight the modern time period.  The skirt had a metallic lace over-lay and turquoise damask, both being draped over an Elizabethan undergarment, which included a bum roll. The skirt was given a modern twist with a hem line cut into a high – low style and accentuated with a train. The bodice was constructed out of turquoise chiffon that had rosettes stitched all over the fabric along with a cream quilted satin used to create the sleeves. The entire look was pulled together and finished with a detached collar. The whole process of draping and manipulating a pattern into the shape and image that the designer envisioned was a significant learning experience for me. The final design was unique in that it encompassed the Elizabethan and Modern feel of the production and enhanced the visual presence of the character of Queen Gertrude while on stage.  Creating costumes that are translated from the designer’s dreams is what I plan to do for the rest of my life, so projects like this allow me to learn more and to hone my skills. This project truly embodied the field of costuming for me, which is something I have had a passion for since I was a child. 

Poster file

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