Skip to main content

Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Gordon: Concept Albums for the Stage

Name: Jack Lambert
Major: Musical Theater
Hometown: Woodbury, MN
Faculty Sponsor: Corinne Ness
Other Sponsors: Shapovalov, Dimitri
Type of research: SURE

Abstract

Adapting a concept album for the stage is a powerful and underdeveloped method of musical theater creation used to convey important themes and values to society.  This project specifically addresses the pursuit of greatness, what is sacrificed along the way, and the importance of paternal love.  The production of “Gordon” challenges my proficiency in playwriting, music writing, directing, and musical theater.  The project not only achieves an excellent and unique piece of theater, but gives me a broad range of skills necessary to succeed in my chosen field of directing and playwriting after Carthage.  In January of 2014, I acquired exclusive rights from the Barenaked Ladies themselves to adapt their album Gordon into an original musical.  The second step was synthesizing a script, requiring research of Aristotelian methods of writing, the structure of a musical, and the components of a concept album. Also, I needed to write the full score for the show by adapting it to piano, upright bass, acoustic guitar, and cajón.  Using the SURE Grant as an opportunity, I was able to create the approximately 270 page libretto that would serve as the central focus for the project.  The next steps included auditioning, casting, preparing my directing book, and technical needs.  By January 2015, I began setting up my rehearsal calendar, rehearsing, and working towards performing the work in May 2015.  


$(function() { $('#print h2').prepend('Print'); $('#print h2 a').click(function() { window.print(); return false; }); });