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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

The Power of Cute: Redefining Kawaii Culture as a Feminist Movement

Name: Mary Christopherson
Major: Japanese/Graphic Design
Hometown: Waupun
Faculty Sponsor: Yan Wang
Other Sponsors:  
Type of research: Senior thesis

Abstract

“Kawaii” is a term that has taken on a life of its own within its country of origin, Japan. So much so, that although it is commonly translated to “cute,” the meaning of the word has no precise English translation. Kawaii has become more than “cute;” rather, it expanded into such a social phenomenon among Japanese youth that it even evolved into its own culture. This culture or “counterculture” acts as an opposition to modern standards for how people should behave in society. At the forefront of this movement are young women. Because of this, the kawaii phenomenon arguably underscores a third-wave feminist movement which women can utilize to uplift themselves on an individual and social scale. This claim will be reiterated through two main points: that kawaii challenges pre-established social and gender norms that oppress women, and that kawaii empowers women through a celebration of femininity. These claims will be discussed through historical context of the usage and evolution of kawaii, and then argued through in-depth social analyses using real-life examples of popular media in modern-day Japan.

Poster file

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