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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Grammar in Music

Name: Pascal Rollet
Department: Humanities
Type of research: Independent research

Abstract

 Most language teachers like to use songs in the classroom. One can find a recorded French or Spanish-language song for just any linguistic structure, but it is almost impossible to find a song that repeats the structure often enough to reinforce its use in a way similar to that of exercises designed to reinforce mastery of a targeted grammar point through listening and speaking.  More often, in the songs available on CDs or on the Internet the grammatical structure appears in the context of lyrics that introduce so many new expressions and unfamiliar cultural references that the grammar lesson gets diluted.  Some musicians have created songs specifically for the language classroom, but they tend to dumb down both the lyrics and the music, and are geared at a young audience.  Professor Rollet has been composing songs that zero in on a particular lesson that gets reinforced in lyrics that are meaningful and set to sophisticated contemporary music and instrumentals.  These allow for undiluted practice of precise structures through repetition with only slight modifications to show how the structure functions, while using more words that are familiar than unfamiliar.  Most importantly, each song is introduced and followed by distinct communicative activities that bear their own cultural focus.   This session will present the website he recently created to make these songs and activities available to the public.

 

Poster file

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