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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

"Have you found yourself now?" Mahmoud Darwish's Search for Identity in Occupation and Exile

Name: Manar Mohammad
Major: English
Hometown: Kenosha
Faculty Sponsor:
Other Sponsors:  
Type of research: Senior thesis

Abstract

Mahmoud Darwish, a Palestinian contemporary poet, wrote his poetry as an activist poet who strived to locate his identity following the occupation of Palestine and his life in exile. He modernized traditional Arabic poetry to understand the voice of the “new” Palestinian, one whose identity is a mixture of both pre-war Palestine and post-war Palestine. Darwish aimed to show the realness of Palestine by unwinding the idea that it is a myth told by Western colonizers. A key theme present throughout the paper is the question of identity, particularly one’s identity after exile and during life under occupation. I argue that Darwish’s poetry speaks for the Palestinian "Other", a figure created and controlled by Western colonizers. This analysis employs a postcolonial perspective reading of the poems, particularly Edward Said’s Orientalism, that views Darwish as a writer who becomes the voice of the Palestinian resistance during a time when life under colonization demanded one. Said's Orientalism is key in addressing Darwish's voice as the Palestinian "Other." For Darwish's aim to dispel the myth of Palestine, reaching the West is essential in showing the Palestinian struggle and shedding light on a people's desire to live in freedom.


Poster file

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