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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Female Deification: The Epic of Gilgamesh

Name: Magdalena Rocha
Major: Sociology
Hometown: Plover, WI
Faculty Sponsor:
Other Sponsors:  
Type of research: SURE
Funding: N/A

Abstract

“Female Deification: The Epic of Gilgamesh” formulates an argument against a feminist critique of the epic using an in-depth analysis of the female characters and their relative positions within the text. Although it seems female characters play a passive role in the epic, they are mentioned throughout the text as goddesses, immortals, or as godlike. How male characters interact with the women and how the women interact with one another exhibits the surprising power behind the women's behavior, particularly in comparison with their male counterparts. I labeled this process of character development as “female deification” to express how these seemingly insignificant characters become godlike in their placement and expression in the epic. This is particularly significant considering the ways they affect the male protagonists, as well as the limits and abilities the women seem to carry individually. Through the study of this deification, this qualitative analysis shows women within the epic are not undermined and thrown away. In reality, they are revered and depicted as equal to or beyond men.

Poster file

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