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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Thomas Carr
  • Katherin Hilson
  • Kim Instenes
  • John Kirk
  • Sarah Terrill

How Fascists Changed Fashion: An Analysis of Fashion in the Weimar Republic and the Third Reich

Name: Caroline Cardamone
Major: German
Hometown: Bloomington, IL
Faculty Sponsor: Gregory Baer
Other Sponsors:  
Type of research: Senior thesis
Funding: NA

Abstract


In 1933 when the Nazi Party came to power in Germany, fashion not only adapted to the new regime, but was also molded directly by their policies, propaganda, and administration. This thesis aims to investigate the processes and philosophy behind the Nazi’s desire to change the German fashion industry, and in doing so change how German women were viewed, which manufacturers were in power, what the sources for fashion inspiration were, and the overall trends. 

Through textual analysis and comparison of photographs that appeared in German fashion magazines between the Weimar (1919-1933) and Nazi eras (1933-1945), the changes in women’s clothing and representation of women are identified. The photographs were also placed in the sartorial and historical context of the eras to better understand their significance. These analyses help reveal the Nazi’s murder and forced exile of Jewish people in the clothing industry, and the oppression of women through fashion. The results of this analysis show the cultural losses to the German clothing industry and the party’s ultimate failure to create a unified national image through clothing.


Poster file

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