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Instructions

Student presentations must have a faculty sponsor.

Abstracts must include a title and a description of the research, scholarship, or creative work. The description should be 150-225 words in length and constructed in a format or style appropriate for the presenter’s discipline.

The following points should be addressed within the selected format or style for the abstract:

  • A clear statement of the problem or question you pursued, or the scholarly goal or creative theme achieved in your work.
  • A brief comment about the significance or uniqueness of the work.
  • A clear description of the methods used to achieve the purpose or goals for the work.
  • A statement of the conclusions, results, outcomes, or recommendations, or if the work is still in progress, the results you expect to report at the event.

Presenter photographs should be head and shoulder shots comparable to passport photos.

Additional Information

More information is available at carthage.edu/celebration-scholars/. The following are members of the Research, Scholarship, and Creativity Committee who are eager to listen to ideas and answer questions:

  • Jun Wang
  • Kim Instenes
  • John Kirk
  • Nora Nickels
  • Andrew Pustina
  • James Ripley

Archetypes and Allegory: Jungian Archetypes in The Faerie Queene

Name: Thomas Cargille
Major: English
Hometown: Pleasant Prairie
Faculty Sponsor:
Other Sponsors:  
Type of research: SURE
Funding: SURE

Abstract

The goal of this project was to discover whether Jungian archetypes could be found within Books One and Two of Edmund Spenser’s The Faerie Queene. While people have tracked Jungian ideas within Spenser’s work before, this project attempted to find archetypes not through the behaviour of certain characters, but through the appearance of psychic markers that Jung believed signaled an archetypal encounter in dreams. It is through this difference of approach that a new perspective was hoped to be gained. This was accomplished through research of Jung as a primary source, especially his collected writings in The Archetypes and the Collective Unconscious, and through extensive close reading of The Faerie Queene itself. The conclusion of this project is that Jungian archetypes, as evidenced by psychic markers, do exist within Books One and Two of The Faerie Queene. In fact, as was discovered over the course of the research, it is possible to track a psychic narrative made up of these archetypes which in many ways mirrors the conscious thematic material of this epic allegorical poem.

Poster file

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